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Therese, at least a decade younger than Carol, is headed toward the ideal life goal for a single girl in 1952 — marriage to her longtime fiance.
That stark contrast in style and deportment carried over into the real world recently when the actresses got together to discuss the film.
In the period drama "Carol," Cate Blanchett plays the elegant, sophisticated, title character who resides in the tony suburbs outside New York City.
Rooney Mara portrays the shy young salesgirl Therese who works in a Manhattan department store.
As for the age gap, Blanchett, 46, stepped out of the hotel press suite to call her kids.
Mara, 30, tuned out those around her as she texted home to check on her dogs.
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Clad in a black body suit and armed with a stag-like head dress plus a hefty sword, Hela makes for a formidable opponent.
“I want it to not be discussed anymore,” Blanchett notes.
“But it needs to be discussed.” Blanchett was delighted when she received a call in 2013 from her old pal Haynes (“I’m Not There”), telling her he wanted to make “Carol,” after a series of directors had dropped out.
As one of cinema’s most prominent stars, Blanchett, whose recent roles include the evil stepmother in “Cinderella,” doesn’t want Hollywood to wait for Prince Charming to save the day. Why would we expect this industry to be any different? We should have equal access to the multiplexes.” On a recent afternoon in Manhattan, lounging outside the Crosby Street Hotel with her hair in a ponytail and a shawl draped over her shoulders, Blanchett says she wasn’t convinced that “Carol” would ever make it to theaters. “Midrange films with women at the center are tricky to finance.
“We have to push forward,” says the 45-year-old Australian actress, who believes successful women are finally starting to nurture projects for females. ” She says the dominance of male stories on the bigscreen is bad business. There are a lot of people laboring under the misapprehension that people don’t want to see them, which isn’t true.” And while the franchise-obsessed movie industry covets young male audiences above all else, it can no longer ignore female moviegoers — who account for at least half of ticket sales each year. “I think there’s been a critical mass of women who have reached a certain place in the industry,” she says, citing Meryl Streep, Reese Witherspoon and Nicole Kidman, as well as producer Allison Shearmur, who made the Disney fairy tale about a magical glass slipper a reality.